Intuitive Readings

readings2013kzooI’m excited to announce a new happening! I start giving Intuitive Readings at Lotsa Little Things Gallery in Kalamazoo, where my art studio now is located. The walk-in times for October to December offer short readings of five or fifteen minutes with themed Tarot decks and oracle cards. For longer readings, I’m available by appointment; please email MelissaHasbrookATgmailDOTcom.

My approach to Intuitive Readings draws upon experience and knowledge, without limiting responses to a particular formal system like traditional Tarot. I rely on intuition — that gut-driven, inner voice — to inform the use of tools and whatever words may be spoken. Tools range from physical objects to metaphysical resources. A reading may begin with themed Tarot, and lead to consulting Western astrology or symbolism of animals. In sum, a variety of studies and life stories serve as a resourceful web for a given reading.

Since 2007, working with intuitive tools has informed my creative work and healing process, bringing them into closer alignment. Shortly before that time, I left academe in pursuit of a heart-led life. By “heart-led”, I mean honoring that gut instinct also called the inner voice. My willingness and skill to listen to the heart improves with each stumble. And I’m grateful for the significant support of teachers, circles, and communities throughout this process.

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Drumming in Lansing, October 2013

Ceremony in Weris, Belgium, Nov. 2009.

Ceremony in Weris, Belgium, Nov. 2009.

If you are interested in either of these home-based events, please contact me for respective addresses at MelissaHasbrookATgmailDOTcom. Newcomers are welcome to all drum circles! 

Drumming with the New Moon is Wednesday, October 2, at 6:45pm. We will open by drumming to center ourselves around the outdoor fire and beneath the open sky. A ceremony on the death-to-birth cycle will follow. Please bring a gift for the fire — prepared food, plant medicine, a written message. Remember, dress for the weather! In the case of a wet night, we will be indoors.

The monthly Gathered Drum Circle has switched to third Sundays, so please note this announcement. We next meet on October 20, at 7:00pm. Host Richard Lee and I are co-facilitating the time with food and fellowship.  A big thanks to Martha Kuepper of Anam Cara Services for being a catalyst and partner the past year. You are wonderful!

 

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“Mother Fear”, a poem

For northern readers, happy fall! Autumn equinox has passed, and we officially are into the cooling season. Still, my raspberry bushes bear fruit and butternut squash take in  frost-free evenings. Plus, last week’s Harvest Full Moon brightened the night skies! It is a colorful, eventful time of year on this wheel of life.

In recent weeks, I’ve shared poetry inspired along my healing path (see “Beyond the Corner” and “I Live Here“). This new piece, “Mother Fear“, stems from Sacred Breathwork in September co-facilitated by Nick Brabhan (USA) and Léonie Lob (France) at the Vibrance Center of South Bend, Indiana.

Nick and Leonie are certified through Crow’s Nest Center for Shamanic Studies. Thanks to you both for sharing the Journey! Also, gratitude to Jamila Blue (Ecstatic Dance Michiana) for the synergetic start to the event. What a dance overlooking the St. Joseph River!

Mother Fear

I have faced
the Mother
of Fear,
Her teeth a circle
jagged to tear,
touched each point
with both hands,
gently,
repeatedly,
& with a purple cloth
I wrapped the circle
to heal.

I have embraced
Mother Fear
with Love
& received
understanding:
We are one
& the same,
we are
reflections,
& the mirror
between us
but a dream.

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Mother Willow, with poem “stand like a tree”

"Mother Willow," Oil pastel.

“Mother Willow,” Oil pastel.

Trees have been getting my attention these days, as they have at various times of my life. On a recent trip to Chicago, the company of two distinct tress brought nature front-and-center in the big city. One climber reached farther upwards than sandwiching buildings, a wonderful visual for the-sky-is-the-limit inspiration. Another reached wide with root-like branches, reminding that what we see above the surface often mirrors what lies below it.

“The dreambody is like a tree…”

“Mother Willow” (oil pastel) came to paper sitting around a fire with familiars at Crow’s Nest Center. The essence draws upon long-held memories. A willow uprooted by the neighbors, which was a magnificent home to many creatures. Sibling willows in a wetland area of my hometown DeWitt, Michigan. A branch that I grew into a three-year old tree in Belgium, then transplanted to a forest before returning to the States.

“… The top half is above ground and can be seen
and discussed in terms of medicine; …”

The essence of “Mother Willow” also stems from my acquaintance with the Celtic zodiac, which is based on a lunar system with tree characters for thirteen signs.  Willow is my biological mother’s sign, which I learned in the year that Lansing neighbors’ uprooted their willow. The tree’s much-beloved sight is missed by many of us who took in Her heights from our yards.

“… the bottom half is below ground in the form of roots
that can only be sentiently felt by the perceptive individual…”

Visualizing Willow as a mothering figure during a recent visit to Crow’s Nest Center, a complimentary sensation emerged: well grounded through roots connecting to Earth, while embracing with flexible limbs and verdant leaves. The process was nourishing. In this moment and truly every year, trees gift me with uplift and serenity. So it seems that the heart of “tree hugging” is giving back to these generous figures.

“… The trunk of the tree is a dream symbol that bridges the worlds
between deep sentient experience and symptoms.”

There has been much change afoot for me (as for many!) this year: switching art studios in Kalamazoo; increasing time in Southwest Michigan. As a companion, Mother Willow supports and transports unfolding processes in her own way, cycling with the seasons. Of course, every tree offers a special lesson — in essence, a certain medicine — to connect what lies below with what is before us and above us.

~ Arnold Mindell, “Dreambody:
The Body’s Role in Revealing the Self”

In closing, I pass on a poetic mantra, “stand like a tree”, which came while journalling various thoughts at Crow’s Nest Center. May the sharing shift your gaze wherever it need be!

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Lincoln Park, Chicago.

“stand like a tree”

stand like a tree
bend with the breeze

feel the earth
beneath your feet

grow deep roots
drink one’s fill

rise to the light
& touch the sky

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Drumming in Lansing, September 2013

Drum-making workshop at Crow's Nest Center for Shamanic Studies during August's Intensive Retreat.

Drum-making workshop at Crow’s Nest Center for Shamanic Studies during August’s Intensive Retreat.

Yes, the beat goes on! Drumming with the Moon is back this Wednesday, September 4, at 7:00pm; please email me for the address: MelissaHasbrook ATgmail.com. There will be a fire and ceremony for the New Moon circle with a focus on releasing pain. Participants are encouraged to bring a gift for the fire — whether a plant or treasured token, though not toxic. (Safety first!) Also, please strive to arrive on time with a clear mind and readied heart for releasing a particular pain. For anyone who can’t join us in the flesh and who wishes to hold ceremony in parallel, please contact me for the process we will share.

The Gathered Drum Circle met over the summer and continues to gather on fourth Sundays at 7:00pm; again please email me for the address. This circle is hosted by Richard Lee, and co-led by Martha Kuepper of Anam Cara Services, Richard, and myself. This season marks one year of the circle! All are welcome, with or without instrument on hand. We typically bring a dish to pass, and enjoy discussion as well as drumming.

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“Beyond the Corner”, a poem

Dear readers, here is a second poem in the line of processing my recent retreat at Crow’s Nest Center. For the first poem, “I Live Here,” please visit the blog post “Cusp of Seasons.”


Beyond the Corner

He said,
‘The animal is afraid.’
The animal being
my body,
in relationship with
mind, soul,
my person–
the unique me.

See,
my person & body.
We cohabitate
the here & now,
differ in & share
memory,
differ in & share
intention.

The quest is to learn
the language of
Body
and intuitively interpret
cohabitants.

See
I AM,
not a timeshare
nor a shroud
violently rent.
I AM,
symbiosis,
embrace of
peace.
I AM,
surrender.

See,
who leads whom.
I-body gently moves
I-person beyond
the corner of
fear.

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Cusp of Seasons, with poem “I Live Here”

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Me &  Mama dog at home on a cool summer day.

Greetings readers. Summer is passing quickly before my eyes, as tree leaves brandish over shortening days. The song of seasonal friends — the grasshoppers and crickets — sounds out for the time being, and Great Lake Michigan still splashes warm waters!

Here upon the cusp of seasons, I am exited to announce some arts news. September marks two developments for me in Kalamazoo. First, my studio is moving to Lots of Little Things Gallery, which sells work by more than 20 artists. The site is part of several shops connected through one building in the heart of the Vine Neighborhood at the corner of South Westnedge and Forest Road. Little Things is open Tuesday through Saturday, including Art Hops on First Fridays.

Second, I am a studio member with the Kalamazoo Book Arts Center! After several courses this past year, the step is very exciting toward establishing my small press Femestiza. The KBAC is located in the Park Trades Center, an amazing building chuck full of artists and artisans. While my art studio is leaving the PTC, I am very glad to continue being one of the residents by way of the KBAC.

My personal reflections at this changing of seasons is sparked by the recent Intensive Retreat at Crow’s Nest Center for Shamanic Studies. I am exploring how my creative-healing journey has come to include Sacred Breathwork. This development is thanks to a year of programming through Crow’s Nest and — without doubt! — the supportive community springing from its center.

What is Sacred Breathwork at Crow’s Nest? I point readers to this article for an in-depth explanation. Meanwhile, I am stitching together a blog post of poetry and prose about the unfolding nature of my process. What I can say: my encounter with “the breath” via Crow’s Nest has deepened and expanded what I brought to the mat after a year of formal shamanic studies. Thanks to my first teacher Colleen Deatsman for a firm foundation, and current teacher Mikkal (C. Michael) Smith for an amazing adventure.

In closing, I share a new poem, “I Live Here,” as a small window into how Sacred Breathwork most recently has shifted my relationship to Body. And in the near future, I look forward to sharing an exploratory — rather than expository –piece weaving this poem and others with prose.

“I Live Here”

before Sacred Breathwork…

Says the person to herself,
‘I live here,’
repeating the reminder
about her body
as she stretches her legs
upward from the bed.
‘I live here.
I live here.
I live here,’
as she breathes between
the words,
an invocation to unite
the tangible and ethereal,
an invitation to inhabit
her material form.

during Sacred Breathwork…

Says the body to the person,
I live here,’
repeating the reminder
to her mind
as the body stretches legs
upward from the floor.
I live here.
I live here.
I live here,’
as the body breathes between
the words,
an invocation to unite
the tangible and ethereal,
an invitation to inhabit
her material form.

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Risk at the Root: Pondering Compassionate Community

littleonesscaled

Little Ones

Puppies in a corner lot on a sweltering day. No water in sight. Little bodies panting, seeking shade, digging earth, but finding no relief. Their tongues eagerly lap water from the bottle I pour through links of the fence, its gate closed but not locked. No collars, nor caretakers.

Unending opportunities present themselves for extending compassion and love. A popular way to call some version of this is “random acts of kindness.” Here “random” may imply a chance encounter or an indiscriminate thought like, “Oh! I’ll do something nice for a stranger.”

During an hour keeping company with the little ones, I phone Animal Control three times, before and after chats with kids who can’t get into the house either. The operator explains how only one truck works between the two for the entire county.

What if acts of kindness involve listening to one’s inner voice, registering that something is off, and responding “in kind”? A synchronicity of spontaneity and intention. Taking care of what crosses one path as best as one can. In other words, compassion as custom-tailored action — attentive and variably shaped to the situation.

I am waiting for someone to come, despite somewhere I am supposed to be, when the eldest child returns with a key. Having warned him about the dangers of heat, he promises to keep the dogs inside tomorrow, again forecasted to be extreme. But the next day, I find the pups outdoors with a snow sled full of water.

Just as variably, acts of kindness may place us in crosshairs, as depicted by the movie “Pay It Forward.” A child intervenes to protect a peer, and the third child stabs the former rather than the latter. The mediator did not intend to be a martyr, just as risky compassion does not revolve around savior-hood. Yet there is tension between reaction and thought, for dynamics are unstable and outcomes uncertain.

A different operator answers my call to Animal Control. I repeat the scene, and am told that the address was visited. It seems the new call is bundled with the old. Yet the little ones still are panting without end, without collars, behind an unlocked fence. 

So ponder risk as a root of compassion, for in acts of kindness we un-armor our hearts, minds, souls, bodies. By extending tenderness to one another, we also embrace our self. The tender touch does not wax contrary at every turn but encircles difference, inviting but not imposing to bring together what lies between.

As I ready to leave, a man pulls up and exits his car. I greet him with a smile and hand, “Hi, I’m Melissa. Maybe you heard from the kids how I watered the dogs.” He shakes hands but offers no name or smile, commenting how there’s always a bowl of water. Yet the day before, the kids found it empty on the porch.

Compassionate community is a daily, face-to-face practice, not a pie-in-the-sky ideal. We are in relationship whether or not we know each others’ names. Ultimately, how we take care of one another shapes ourselves as well as the world we share.

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Going Wild

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Lake o’ the Clouds, Porcupine Mountains, on a windy day.

The sensation of Lake Superior and the Porkies keeps resonating after my recent visit, including an insight during the ten-hour drive home: Wilderness like that found in the Upper Peninsula offers so much, yet “wild” sojourns often are “off radar” for many people.

The impression was partly sparked by empty sites where I stayed around the 4th of July: Presque Isle Campground of the Porcupine Mountains State Park. At this time of year, Lower Peninsula parks are packed. I certainly enjoyed the low-key surroundings, yet I think that people are missing out on phenomenal nature.

It’s true that more of us humans live under than above the Mackinaw Bridge — at least, relative to Michigan’s borders. (Remember, there’s a whole lot of North America beyond the Superior Sea!) Nonetheless, it seems that just the thought of “going wild” may be more remote than the matter of access.

Out of curiosity (primarily mine!), compare a celebrated travel destination with your nearest natural spectacle. Which would come to mind more “naturally” for a trip among your loved ones? Then how about this: compare the time and expense of flying to that popular “hot spot” versus driving and camping to the earth-made one. I imagine the latter is a better deal, but you let me know, would you?

Despite likely savings, I venture that a fair number of our familiars rarely entertain adventures to the great outdoors — that is, wilderness areas. For instance, my excitement about bears living in the woods doesn’t warm the hearts of loved ones from Belgium! Maybe this hesitation stems from cats and birds being the most common “wild” animals in Flanders.

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Tracks along the Pinkerton Creek Trail of the Porcupine Mountains.

Admittedly even around my home base in Lansing, deer are the largest animals living in the open. “Getting to nature” here means stopping by a local nature center like Fenner, which is a treasure and treat for urban dwellers.  But, without a doubt, sampling the outdoors among grazing “four leggeds” is very different from sighting predator tracks along Pinkerton Creek of the Porkies. That’s why I wore a rattle on trails there to announce my progress!

For as much as I wanted to witness a black bear in its habitat, I was not adventurous enough to seek out that encounter intentionally. A friend of mine passed one while driving that week, which I would have loved to seen from the security of a car. Maybe with more frequent “wild” sojourns to places like the Porcupine Mountains, I may get secure and savvy enough to walk the forest with a rattle in hand’s reach rather than bouncing with my every step.

From this recent wilderness trip, I am deeply grateful for the collective presence I experienced: the plants and animals, the rocks and sand, the water on the ground and fire in the sky, and many more relations. Hopefully, the poem and gallery I’ve shared so far convey some degree of this gratitude, and bring courage where needed to venture the great outdoors.

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at the water’s edge

at the water’s edge

a hummingbird presents
a message…..its contents
a cypher to learn
how to open
like my heart
stitched by a riddle
i invented
then forgot
on purpose

atwatersedgeFor more visions of my travel to Lake Superior and the Porkies, check out the gallery “Wilderness and the Superior Sea.”

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